ced5a5f5e9 1507; 1/4 = 45 (Theme) I dislike Szeryngs vibrato, especially if combined with extra, unnecessary portamenti. Viktoria Mullova plays a Guadagnini violin with gut strings and a period bow. The fortepiano is much more transparent than a modern concert grand, and at the same time more dramatic, without a need to reinforce the sound with extra thundering & pedal! 1411; 1/4 = 48 (Theme) Excellent in sound, tempo and articulation. Rolf's Music Blog All just my personal opinion . One can only imagine the audience reaction at the premiere. 1526; 1/4 = 42 (Theme) Slow as most other traditional interpretations (4/8 rather than 2/4). Russian-born pianist Viktoria Mullova is joined by fortepianist Kristian Bezuidenhout for a period instrument performance that proves to be a step above the rest. He's a remarkable virtuoso, and a dazzlingly imaginative, multi-skilled Mozartian. Particularly felicitous is his use of solo orchestra strings for some of the music's most intimate moments.Altogether a rewarding disc and one that Bezuidenhout's many admirers will not want to be without.” BBC Music Magazine, February 2013 ****Up to 25% off Harmonia MundiClick here for full detailsHarmonia Mundi - HMC902147(CD)Normally: €15,50Special: €12,24(also available to download from €11,25)In stock - usually despatched within 1 working day.
75, 2Mephistos Flohlied, Op. Bezuidenhout plumbs depths rarely reached, affirming too that any score is a dead letter - unless nuances, inflections and aspects of emotional rhetoric that cannot be notated are discerned, felt and expressed” Gramophone Magazine, January 2016“Articulation sparkles and ornaments are neat; slow movements sing like arias and he has fun giving weight to the Rondo themes; virtuosity buzzes under the surface but never becomes the focal point. Skip to content. Page Not Found . Media Featured Audio & Video Latest Media Media Categories Alphabetical Media . 12, 23, 24, 30, 47, 96) Renaud Capuon, Frank Braley Virgin Classics LV 7873 (stereo, 3 CD); / 2010 Buy from amazon Renaud Capuon and Frank Braley (2009) forCD information and generalcommentssee op.12/1 807; 1/4 = 124 Rhythmic, very carefully articulated, accurate, transparent, clarity, very nice dialog between the violin and the left hand on the piano, very good interpretation, classic. 617; 1/4 = 34 Too muchlegatoandvibratoin the violin, the embellishments in the piano are often somewhat heavy and loud, dominating the sound.
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